AUDIO & MUSIC SYSTEMS TECHNOLOGY
Past experience with audio recording-reproduction hardware:
Large Format Studio Consoles:
Solid State Logic SSL9000-J
Neve 8078 Analogue Mixing Console
Allen & Heath Mixers
Audient ASP8024
Field Mixers: Yamaha Digital 01V, Behringer DDX3216
Personal Monitor Mixers: Aviom A-16
Main Studio Monitors: ATC SCM300A Pro, Genelec 1236A, PMC
Nearfield Studio Monitors - Adam A7X, Genelec 2029A, Genelec 8030A, Yamaha NS10, Avantone MixCube Mono
P.A Bose 802, JBL MP418SP
Headphones: AKG K701 Reference, Beyerdynamic DT100, DT990
Mics: Earthworks SR-25, SR-30
Effects Units: LEXICON 480L
Elementary knowledge of TCP/IP UDP, MQTT, DTMF, Modbus RS485, SFP Interfaces, I2C, I2S, SPDIF, ADAT, ARTNET, DANTE.
Working the 80-120 Channel Solid State Logic (Analog Console) SSL9000-J BBC Maida Vale Recording Studio MV3
80x console channels - short & long flying-faders plus timecode automation, matrix switching & signal routing + recall.
Rebel, Rebel @ Rock City, Nottingham
Bang & Olufsen Beomaster 8000 - (Datalink) Beocord & Beogram Vinyl Deck - Tangential Arm with Automatic Transport. Class-AB < 0.05 % THD+N
Red Kyte incl. myself (left) Stage Performance at NEC, Birmingham - National Rock & Pop Festival 2009
Christmas at Wollaton Hall, Nottingham 2021
Martin Cure’s 4x 18” JBL + Martin tops rig at Kelly’s Royal Leamington Spa.
400W RGBW LED Prototype - Hi-Res 16-bit PWM per channel over Ethernet/DMX + ARTNET - MW PSU constant current driver - OC.OV Protection
Designs incorporating embedded ICs from leading semiconductor manufacturers:
Analog Devices (Audio Digital Signal Processing)
Trinamic (Motion Control)
Xilinx. (Field Programmable Gate Array)
